Evidence map›Paper›PMID 41131345›Full record

ArticleScientific reports2025

An enculturation-induced joy bias for emotion recognition in full-body-movement.

Julia F Christensen, Klaus Frieler, Meghedi Vartanian, Shahrzad Khorsandi, Fahima Farahi, Sina H N Yazdi, Susana Bravo Serra, Vincent Walsh

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Article in Scientific reports, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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1 · What the graph read from it

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2 · The registry

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3 · Its place in the literature

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4 · The record

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5 · Who and what money

Authors and funding

8 authors.

Julia F ChristensenDepartment of Cognitive Neuropsychology, Max Planck Institute for Empirical Aesthetics, Grüneburgweg 14, 60322, Frankfurt am Main, Germany. Julia.christensen@ae.mpg.de.
Klaus FrielerDepartment of Cognitive Neuropsychology, Max Planck Institute for Empirical Aesthetics, Grüneburgweg 14, 60322, Frankfurt am Main, Germany.
Meghedi VartanianDepartment of Neurology, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany.
Shahrzad KhorsandiShahrzad Dance Academy, Richmond, California, USA.
Fahima FarahiWiseWold.AI, Porto, Portugal.
Sina H N YazdiWiseWold.AI, Porto, Portugal.
Susana Bravo SerraMissis Bravo Films, Palma, Spain.
Vincent WalshInstitute for Cognitive Neuroscience, University College London, London, UK.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

While emotional expression via the body is universal across cultures, labelling emotions into 'emotion-word' categories is not universal, but learned-especially in the West. Based on previous work using Western expressive gestures, we designed a video-stimuli library with emotionally expressive gestures from a non-WEIRD cultural tradition, which our participants had different levels of enculturation with. Stimuli consisted of 6-s-long sequences of Iranian social dance gestures, danced five-times each with different emotional expressivities, so that the same movement trajectories were used to express five 'basic' emotions (anger, fear, joy, sadness, neutrality). Across two experiments with 200 Iranian, English, and Southeast Asian participants (one pre-registered), we tested how enculturation modulated emotion perception from full-body movement. Using continuous measures of enculturation with Iranian and English culture, we found that categorical emotion labelling was modulated by English enculturation, while enculturation with Iranian culture produced a 'joy bias'; a tendency to attribute joyful expressivity to the movements, in accordance with the joyful festive context in which these social dance gestures usually occur. These results evidence an effect of enculturation on emotion perception, in line with the theory of constructed emotion.

Indexed as

EmotionsGesturesRecognition, PsychologyAdultDancingFemaleHumansIranMaleMovementYoung AdultBasic emotionsCross-culturalDanceEmotion labellingEmotion recognitionEnculturation and acculturationEuropeExpressivityFull-body movementIranIranian danceNon-verbal communicationPersiaTheory of constructed emotion

Identifiers

PMID41131345
PMCPMC12549998

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the Socratic graph.